Artificial Lighting Techniques For Product Photography

Mastering artificial lighting techniques gives a photographer unparalleled control when it comes to results.

Lighting is everything. The way a product is lit can make the difference between a captivating image that draws customers in and one that gets overlooked.

While natural light has its advantages, it’s not always reliable or consistent.

And if you are a product photographer aiming to deliver consistent, high-quality images, you should understand how to work with artificial light.

It is easier than you think.

Whether you’re working in a studio or on location, understanding how to use artificial light effectively can transform your photography.

This guide will explore various artificial lighting techniques that can help you showcase products in “the best light,” ensuring that every detail stands out.

From understanding the different types of artificial lights available to mastering advanced techniques like taking a black frame, this article will equip you with the knowledge to create stunning product images under any conditions.

By the end, you’ll have a solid foundation in artificial lighting that will not only enhance your current work but also prepare you for more specialized techniques such as softbox lighting and flash photography, which I’ll touch upon briefly here and explore further in future articles.

So let’s help you take full control of your product photography, ensuring every shot is as perfect as it can be!

(BTW – for complete transparency – some links in this article are affiliate links.)

 

 

Understanding Artificial Lighting

 

What is Artificial Lighting?

Artificial lighting refers to any light source that is not naturally occurring. (Not sunlight.)

In product photography, artificial lighting is often the preferred choice because it offers complete control over how the light interacts with the subject.

This control is important to achieve consistent results, especially when shooting in environments where natural light is limited or unpredictable.

Artificial lights allow photographers to shape, direct, and modify the light to highlight specific features of a product.

From the emphasis of texture, color, or form, artificial lighting gives you the ability to create the exact look you’re going for.

With the right setup, you can replicate the same lighting conditions day after day, which is especially useful for projects that require a uniform appearance across multiple images.

 

Types of Artificial Lighting

There are several types of artificial lighting commonly used in product photography, each with its own set of characteristics, advantages, and disadvantages.

Understanding these will help you choose the right lighting setup for your needs.

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  1. Speed Lights (Speedlites)
    Speed lights are small, portable flashes that are often used off-camera. They are highly versatile and can be easily positioned to create a variety of lighting effects. While they may not be as powerful as other artificial lights, their portability makes them a favorite for on-location shoots and situations where space is limited. Speed lights are often used with light modifiers like softboxes or umbrellas to soften the light and reduce harsh shadows.
  2. Continuous Lights
    Continuous lights, as the name suggests, provide a constant source of light. Unlike flashes, what you see is what you get, making it easier to adjust the lighting in real-time. Continuous lights are ideal for both photography and videography because they allow you to see exactly how the light is affecting the subject as you shoot. LED panels and tungsten lights are common types of continuous lighting, each offering different color temperatures and intensities.
  3. Strobes
    Strobes are powerful off-camera flashes that deliver a burst of light when triggered. They are more powerful than speed lights and are often used in studio settings where controlling light is paramount. Strobes can be paired with a variety of modifiers to create soft or hard light, depending on the desired effect. They are particularly useful for freezing motion and capturing sharp, well-lit images.

Each of these lighting types can be adapted to different situations, but they all serve the purpose of giving you the control needed to create professional-quality images.

Understanding the strengths and limitations of each will allow you to choose the best light for your specific product photography needs.

 

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Essential Equipment for Artificial Lighting

To make the most of artificial lighting in product photography, having the right equipment is just as important as understanding the types of lights available.

The following tools and accessories will help you control and manipulate light effectively, ensuring that your products are showcased in the best possible way.

 

Light Stands and Mounts

Properly positioning your lights is key to achieving the desired lighting effect. Light stands are essential for this, providing stability and allowing you to adjust the height and angle of your lights.

Lights also vary in weight. For something like a speed light or a Godox AD 200 Pro, a standard light stand will suffice.

Heavier lights, like the Godox AD 400 Pro will require a more substantial stand. I use both the Godox AD 200 Pro and the Godox AD 400 Pro in my studio. Due to the weight, I place the 400 Pro on a C-stand and weight the base so it won’t fall over.

Specialized mounts, like C-stands or boom arms, will hold your lights securely in place, especially if you’re working in a confined space or need to position the lights at unconventional angles.

One popular mounting option is the Bowens mount, which is compatible with a wide range of lights and modifiers.

This versatility makes it a good starting point for those building their lighting toolkit.

By ensuring that your lights are securely positioned and easily adjustable, you’ll have greater flexibility to experiment with different lighting setups.

 

Light Modifiers

Light modifiers are tools that shape, diffuse, or concentrate the light, allowing you to create various effects and moods. Some of the most commonly used light modifiers in product photography include:

  • Softboxes: These are essential for diffusing light, creating a soft, even illumination that reduces harsh shadows. Softbox lighting techniques are especially useful when you want to emphasize the product’s surface details without creating stark contrasts.  I use several types of softboxes in my studio including strip boxes, 24″ x 24″ Collapsible Softbox Kits and a Westcott Beauty Dish for both product and model shoots.
  • Umbrellas: Similar to softboxes, umbrellas spread light over a wider area, but they typically produce a softer, more natural light. They are great for filling in shadows and creating a more balanced light across the product.
  • Reflectors and Diffusers: These are used to bounce or soften light, helping to control the intensity and direction of the light hitting your subject. Reflectors are particularly useful for adding highlights or filling in shadows, while diffusers are ideal for softening the overall light. You can purchase collapsible reflectors and diffusers, but I recommend saving on the reflectors by using white foam core which can be purchased at your local hobby store.
  • Grids and Snoots: These modifiers focus the light into a more concentrated beam, which is perfect for highlighting specific areas of the product or creating dramatic effects. Grids will direct the light to help avoid spill, and flash snoots will narrow the light beam to create a smaller spot that can highlight labels on products.

By experimenting with different light modifiers, you can significantly alter the look and feel of your product photos.

Understanding how each modifier affects the light will allow you to choose the right tool for the job, whether you’re aiming for a soft, even glow or a more focused, dramatic look.

 

Wireless Triggers and Cables

Wireless triggers are essential for syncing your camera with your lights, particularly when using strobes or speed lights.

They allow you to fire the lights remotely without the need for cumbersome cables, giving you the freedom to move around and adjust your lighting setup without being tethered to your camera.

For continuous lighting setups, while wireless triggers aren’t necessary, you’ll still need to manage your cables carefully to avoid any tripping hazards or tangling during the shoot.

A tidy workspace not only helps you work more efficiently but also ensures that your equipment is safe from accidental damage.

CRI and Recycle Time

When selecting artificial lights, two technical specifications to keep in mind are the Color Rendering Index (CRI) and recycle time:

  • CRI: The Color Rendering Index measures how accurately a light source renders colors compared to natural light. A higher CRI (90 or above) is preferable for product photography because it ensures that colors appear true to life, which is crucial for products where color accuracy is important.
  • Recycle Time: This is the time it takes for a strobe or speed light to recharge between flashes. Shorter recycle times are ideal, as they allow you to shoot more quickly without having to wait for the light to be ready. This is especially important when photographing dynamic setups or when working with tight deadlines.

These pieces of equipment, when used effectively, can make a significant difference in the quality of your product photography.

Now let’s get to some specific techniques, such as taking a black frame and adjusting light positions, to further enhance your control over artificial lighting.

 

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Techniques for Effective Artificial Lighting

Mastering artificial lighting techniques can elevate your product photography, giving you full control over how your subjects are presented.

In this section, we’ll cover key techniques that will help you achieve professional, consistent results, regardless of the environment you’re shooting in.

 

Taking a Black Frame

One of the fundamental techniques in controlling artificial lighting is taking a black frame.

This technique ensures that no ambient light affects your image, allowing you to work solely with the artificial lights you’ve set up.

It’s particularly useful in studio environments where you want complete control over the lighting conditions.

 

How to Take a Black Frame:

  1. Set Up Your Camera: Begin by setting your camera’s exposure settings to underexpose the image completely. This typically involves using a fast shutter speed (e.g., 1/200 or higher), a low ISO (e.g., 100), and a narrow aperture (e.g., f/16 or smaller).
  2. Turn Off All Lights: With your artificial lights turned off, take a test shot. The resulting image should be completely black, indicating that no ambient light is influencing the exposure.
  3. Turn On Artificial Lights: Once you have a black frame, you can turn on your artificial lights and start adjusting them to illuminate the product as desired. By starting with a black frame, you ensure that the light hitting your subject is entirely under your control, free from any ambient interference.

This technique is invaluable when you need to create precise lighting effects or when working in environments with inconsistent ambient lighting.

It also allows you to isolate the product and create images with high contrast and focus.

 

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Using Light Modifiers

Light modifiers play a critical role in shaping the light and achieving the desired effect in your product photography.

Here’s how to use some common modifiers effectively:

  • Softboxes: These are ideal for creating soft, even lighting that minimizes harsh shadows. Position the softbox close to your subject for a wrap-around light that emphasizes the product’s form and texture. This technique is particularly effective for products with reflective surfaces, as it helps to reduce glare and create a smooth, polished look.
  • Umbrellas: Umbrellas are versatile and can be used to either diffuse light (when shooting through) or reflect it (when bouncing off). Use a shoot-through umbrella to soften the light across a wide area, or a reflective umbrella to direct the light more precisely. Umbrellas are great for general-purpose lighting, offering a broader and softer light source.
  • Grids and Snoots: When you need to focus the light on a specific part of the product, grids and snoots are your go-to tools. Grids restrict the spread of light, creating a spotlight effect, while snoots narrow the light beam even further for intense, focused illumination. These are excellent for highlighting key features of a product or creating dramatic shadows.

Experimenting with different modifiers allows you to control the light’s direction, intensity, and quality, helping you achieve the exact look you’re aiming for.

 

Adjusting Light Position and Power

The position and power of your lights have a profound impact on the final image. Here are some tips on how to fine-tune these aspects:

  • Light Position: The angle at which light hits your subject can dramatically change the appearance of the product. For example, placing the light above the product creates highlights on the top surfaces and shadows below, adding depth and dimension. Side lighting emphasizes texture and can create a more dynamic image, while backlighting can be used for a silhouette effect or to highlight the edges of transparent or translucent products.
  • Light Power: Adjusting the power of your lights allows you to control the exposure and contrast in your image. Lower power settings are useful for creating a soft, natural look, while higher power settings can produce more dramatic effects with strong highlights and deep shadows. It’s important to balance the light intensity to avoid overexposure, especially when working with reflective or bright objects.

Using a combination of these techniques enables you to create a wide range of effects, from subtle and soft to bold and dramatic. The key is to experiment and adjust until you achieve the desired result.

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Mixing Natural and Artificial Light

While this article focuses on artificial lighting, there are times when you might want to blend it with natural light to create a more balanced image. This technique is especially useful in environments where natural light is abundant but inconsistent, such as near windows.

 

Tips for Mixing Light Sources:

  • Match Color Temperatures: Ensure that the color temperature of your artificial light matches the natural light. This can be done by using daylight-balanced bulbs or gels to modify the light’s color.
  • Control Light Intensity: Use light modifiers to balance the intensity of the natural and artificial lights. For instance, if natural light is too strong, you can diffuse it with a sheer curtain, then adjust your artificial lights to match.
  • Blend Shadows: Position your artificial lights to complement the natural light’s direction, blending shadows seamlessly and avoiding double shadows that can make the image look unnatural.

By carefully blending natural and artificial light, you can create images that feel more organic and less staged while maintaining control over the lighting.

 

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Advanced Lighting Techniques

As you become more familiar with artificial lighting, you can start to experiment with advanced techniques that provide even greater control and creativity in your product photography.

These techniques will help you tackle complex lighting scenarios and produce images that stand out.

 

Mixing Natural and Artificial Light

While artificial lighting provides consistent and controlled results, there are times when blending it with natural light can enhance the overall image.

This technique is particularly useful in environments where natural light is present but not sufficient on its own.

 

Key Considerations:

  • Matching Color Temperatures: One of the most critical aspects of mixing natural and artificial light is ensuring that the color temperatures align. Natural light, especially during different times of the day, can vary in temperature. To match this with artificial lighting, use daylight-balanced bulbs or apply gels to your lights. This prevents color casts and ensures a harmonious blend of light sources.
  • Balancing Light Intensity: Natural light can be diffused through windows, sheer curtains, or even reflectors to soften it, while artificial light can be adjusted in intensity to match. The goal is to create a seamless transition between the two light sources, making it difficult to distinguish where one ends and the other begins.
  • Creative Shadow Control: By carefully positioning your artificial lights to complement the natural light’s direction, you can create shadows that enhance the product’s texture and shape. For example, if the natural light creates soft shadows on one side, you can use an artificial light to fill in the other side, adding depth without overpowering the natural light’s effect.

 

Compositing with Artificial Light

Compositing is an advanced technique where multiple images are combined into one final image, often used to ensure perfect lighting and focus throughout the product shot. This technique is particularly useful when photographing products that have both reflective and matte surfaces or when trying to achieve a specific lighting effect that would be difficult to accomplish in a single shot.

 

Steps for Compositing:

  1. Capture Different Exposures: Start by taking multiple shots of the product with different lighting setups. For instance, one shot might focus on highlighting the texture, while another might emphasize the product’s edges. Each shot should be lit differently to bring out the best in each aspect of the product.
  2. Focus on Specific Areas: Instead of lighting the entire product in one go, concentrate on lighting one section at a time. This allows you to control the light more precisely, ensuring that each part of the product is perfectly lit.
  3. Combine Images in Post-Processing: Use photo editing software like Adobe Photoshop to composite the images together. This involves layering the images and using masking techniques to reveal only the best-lit parts of each shot. The result is a final image where every detail of the product is perfectly illuminated.

Compositing is particularly effective for products with complex surfaces, such as glassware, jewelry, or electronics, where achieving uniform lighting in a single shot can be challenging.

 

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Flash Photography

Flash photography is another advanced technique that offers precise control over the lighting in your product shots.

Using flash allows you to freeze motion, control light placement with pinpoint accuracy, and create dramatic effects that are difficult to achieve with continuous lighting.

 

Advantages of Flash Photography:

  • Freeze Action: The short burst of light from a flash can freeze motion, making it ideal for capturing moving elements or ensuring sharpness in handheld shots.
  • Control Over Light Placement: With flash, you can direct the light exactly where you want it, reducing the need for multiple light sources and minimizing shadows.
  • Creative Lighting Effects: Flashes can be used with various modifiers like grids, snoots, or gels to create focused lighting effects, highlight specific product details, or add color accents.

Flash photography is particularly useful for small product shoots where precision and control are key.

  

 

Common Challenges and How to Overcome Them

Even with a solid grasp of artificial lighting techniques, photographers often face challenges that can downgrade the quality of their product photos. Below are some of the most common issues and practical solutions to overcome them.

 

Avoiding Unwanted Shadows

Unwanted shadows can detract from the clarity and appeal of your product images. Shadows are often caused by a light source being too harsh or positioned incorrectly.

 

Solutions:

  • Adjust Light Positioning: Try repositioning your light source to reduce the intensity of shadows. Moving the light closer to or further from the subject can soften or eliminate shadows.
  • Use Fill Light: A fill light can be added on the opposite side of the main light to soften or remove harsh shadows. Reflectors can also be used to bounce light back into the shadowed areas.
  • Diffuse the Light: Utilizing softboxes or umbrellas can help diffuse the light, softening the shadows and providing more even lighting across the product.

 

Dealing with Reflections

Reflective surfaces, such as glass, metal, or glossy plastics, can create unwanted glare and reflections that distract from the product itself.

 

Solutions:

  • Polarizing Filters: A polarizing filter on your camera lens can help reduce reflections and glare, making it easier to capture the product’s true appearance.
  • Adjust Lighting Angle: Changing the angle of your light source relative to the product can minimize reflections. Shooting from a different angle can also help avoid capturing distracting reflections.
  • Use Black Foam Boards: Placing black foam boards around the subject can help absorb stray light and block unwanted reflections. This technique is particularly useful for products with highly reflective surfaces.

 

Achieving Consistent Results

Consistency is extremely important, especially when shooting a series of images for a product catalog or eCommerce site.

Variations in lighting, camera settings, or even the positioning of the product can lead to a lack of uniformity, which can be distracting for viewers.

That may not sound like a big deal, but images that aren’t cohesive can make consumers wonder about the quality of the company, which breeds lack of trust and lower sales.

 

Solutions:

  • Mark Your Setup: Use tape to mark the positions of your lights, camera, and product on the studio floor. This ensures that each shot is framed and lit consistently.
  • Take a Black Frame: As discussed earlier, start each session by taking a black frame to ensure no ambient light is influencing your setup. This practice helps maintain consistency across multiple shots.
  • Keep Camera Settings Static: Lock your camera settings (shutter speed, aperture, ISO) once you’ve found the ideal exposure. Consistent settings will help ensure that all images in a series have the same exposure and depth of field.

By addressing these common challenges with the right techniques and tools, you can enhance the quality and consistency of your product photography, making your images more appealing and professional.

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FAQs on Artificial Lighting Techniques

As you explore and refine your artificial lighting skills, you might encounter some common questions that other photographers have asked.

Here are a few frequently asked questions and their answers:

 

Q: What are the three main types of artificial lighting?

  • A: The three main types are Speed Lights, Continuous Lights, and Strobes. Each type serves different purposes depending on the shooting environment and desired effect.

 

Q: Which type of artificial lighting is the most efficient?

  • A: LED continuous lights are generally considered the most efficient due to their low power consumption and long lifespan. They also offer the advantage of providing constant light, which is beneficial for both photography and videography.

 

Q: What is the best artificial light source for product photography?

  • A: The best light source depends on the specific needs of the shoot. However, strobes paired with softbox lighting techniques are often favored for their power and ability to freeze motion, making them ideal for high-quality, sharp images.

 

Q: What are the disadvantages of artificial lighting?

  • A: Artificial lighting can sometimes create harsh shadows or reflections if not used correctly. It also requires a good understanding of how different light sources interact with various products, which can be a learning curve for beginners.

 

Q: How do I ensure color accuracy in my product photos?

  • A: Using a light source with a high CRI (Color Rendering Index) ensures that the colors in your images are true to life. Additionally, shooting in RAW format allows for more accurate color adjustments in post-production.

 

Let’s Wrap This Up!

Mastering artificial lighting techniques is a game-changer for any product photographer.

With the right knowledge and equipment, you can control every aspect of how light interacts with your products, creating images that not only capture attention but also convey the quality and details of the products effectively.

From understanding the different types of artificial lighting to implementing advanced techniques like taking a black frame and compositing images, this guide has provided you with the tools to take your product photography to the next level.

Remember, the key to mastering these techniques is practice.

Experiment with different setups, light modifiers, and camera settings until you find the combinations that work best for you.

Stay tuned for upcoming articles where I’ll dive deeper into related topics such as softbox lighting techniques, flash photography, and continuous lighting for product photos.

Each of these areas offers further opportunities to refine your skills and expand your creative possibilities.

By continuing to explore and practice these techniques, you’ll be well on your way to creating professional, high-impact product images that stand out from the competition!

 

To learn more about different types of lighting for product photography, read my articles – aptly named: Types of Lighting for Product Photos

and

Lighting Techniques for Jewelry Photography

 

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